
Sponzee Connects Brands and Creators in a Social Commerce Revolution
- 16 weeks
- 25%
- 2x
Custom software for media companies, streaming platforms, content creators, and production companies that need platforms built for media, not generic cloud infrastructure with a media skin on top.
Video streaming platforms with media-specific delivery, player, subscription management, and monetisation built in
Media CMS with rights management, metadata, and multi-channel publishing to web, mobile, and connected TV
Audience engagement platforms, comments, polls, live interaction, and loyalty mechanics
AI features: content recommendation, automated subtitling and transcription, and content moderation at scale
Recognition
Streaming infrastructure built on generic cloud without optimisation for media-specific delivery and latency requirements?
Rights and licensing data tracked in spreadsheets, with no single source of truth for what content can be shown where?
Content published manually to multiple channels one by one, taking hours per release?
The short answer
RaftLabs builds custom software for media companies, streaming platforms, content creators, production companies, and entertainment businesses. We build video streaming platforms, media CMS with rights management, audience engagement tools, talent and casting management systems, production workflow software, content monetisation platforms, and AI media features including content recommendation, automated subtitling, and content moderation. Most projects deliver in 10 to 16 weeks at a fixed cost.
01 Diagnosis
Content rights and licensing terms tracked in spreadsheets with no automated expiry alerts
Rights agreements for a content library of any scale become unmanageable in spreadsheets. Window expiry dates pass unnoticed. Territorial restrictions get applied inconsistently. The rights team finds out a licence has lapsed when a distributor flags a breach. We build rights data models where every piece of content carries its territorial, platform, and window terms, and where expiry triggers automated alerts before the window closes.
Streaming platform built on general media infrastructure that can't enforce territory-specific rights
General media streaming infrastructure doesn't implement per-territory rights enforcement at the stream level. For a track licensed in the US but not in Germany, the check must happen at playback time, every time. Retrofitting licensing logic onto a platform not designed for it creates gaps. According to Parks Associates research reported in Variety (2023), the U.S. content industry loses between $29.2 billion and $71 billion annually to digital video piracy, a gap that unsecured or fragmented distribution systems directly expose. Those gaps result in licensing violations with real financial exposure.
Production workflow managed across disconnected tools with no single view of where anything stands
Commissioning decisions live in email. Production status lives in a shared spreadsheet. Post-production jobs sit in a project management tool the finance team can't see. No one has a single view of where a production is in its lifecycle. We build production workflow platforms that track a project from commission through delivery, with status, budget, and sign-off history in one place.
Subscription and membership management not connected to the content platform
Subscription billing runs in one system, content access rules sit in the streaming platform, and churn analysis requires exporting data from both into a spreadsheet. A subscriber who cancels doesn't lose access until someone manually updates the access control list. We build subscription management systems where billing, access rules, and content entitlements are connected, so access changes automatically when subscription status changes.
02 What we ship
Streaming platforms built for media delivery: adaptive bitrate video, HLS and DASH streaming protocols, and CDN configuration tuned for media content. Player development for web, iOS, Android, and connected TV. Subscription management with trial periods, plan tiers, and payment processing. Content access rules that enforce rights and licensing, geo-blocking, windowing, and platform-specific availability. Analytics that show viewership, completion rates, and drop-off points by content and device.
CMS built for media: structured metadata, content tagging, rights and licensing fields, and asset management for video, audio, and image files. Multi-channel publishing that pushes content updates to web, mobile apps, connected TV, and partner platforms from one interface. Workflow stages for editorial review, rights clearance, and scheduling. Search and discovery tools that surface content to editorial teams without manual browsing through large content libraries.
Tools that give audiences a reason to stay on your platform rather than elsewhere: comments and discussion systems, polls and interactive moments during live events, live chat with moderation controls, reaction mechanics, and fan community features. Loyalty programmes that reward consistent viewing behaviour with recognition, early access, and exclusive content. Engagement data piped into your analytics so you can see which content drives the deepest interaction, not just the most views.
Talent databases with searchable profiles, media reels, and availability calendars. Casting workflow tools that manage open calls, submission review, shortlisting, and offer management. Contract and clearance tracking tied to each production and talent record. Integration with scheduling and production management so confirmed casting feeds directly into call sheets and crew communication. Built for production companies that manage dozens of productions simultaneously.
Production management platforms that track pre-production, production, and post-production across multiple projects. Script breakdown and scheduling tools. Budget tracking against actuals by department and production. Call sheet generation and crew communication. Asset and footage management connecting on-set capture to post-production workflows. Approval workflows for script changes, budget increases, and delivery sign-offs.
Monetisation infrastructure for media: subscription billing with dunning management, pay-per-view and rental purchase flows, ad-supported tiers with ad server integration, and bundle upgrade logic. Revenue reporting by content, territory, and monetisation model. Affiliate and referral tracking for distribution partnerships. For media companies with multiple revenue streams, a single monetisation platform that connects subscription, transactional, and advertising data in one reporting view.
03 How we work
Companies we've built for


04 Track record
05 Case studies
06 Client voices
Three-year average engagement. Founders and operators describing the work in their own words. No marketing varnish.

I found RaftLabs to be the perfect partner for Perceptional, with their expertise in helping startup founders build MVPs, a free consultation, a prototype that matched my vision, and their unwavering support.
01 / 02
07 Why us
The industry changes. The broken process usually looks the same. Across 14+ industries and 100+ products, we recognise your problem fast, and we frame the fix around your margin and your operations.
We measure success the way you do: hours saved, revenue earned, margin recovered. We stay through launch and growth, so the result is ours to own.
Vodafone, T-Mobile, Cisco, Energia, Aldi, Nike. Six years, 100+ products in production, 4.9 on Clutch. Serious businesses keep coming back because we stay accountable long after launch.
08 Questions
Media software has three requirements that standard application development doesn't. First, video delivery at scale requires specific infrastructure: adaptive bitrate streaming, CDN configuration, buffer and latency management, and device-specific player behaviour. Second, content rights must be enforced in the software, not just documented elsewhere. Territorial restrictions, windowing rules, platform exclusivity, and licensing expiry all have to produce the right access decision at the point of playback. Third, media metadata is complex and high-volume. A library of 10,000 titles with multiple formats, languages, and rights configurations needs a CMS designed for that structure, not a blog CMS with extra fields.
Yes. We build platforms that handle both. Live streaming uses a different delivery path than on-demand: RTMP ingest from broadcasting equipment, real-time transcoding, and low-latency delivery to viewers. On-demand uses pre-transcoded content stored in cloud storage and delivered through a CDN. We build platforms where both live and on-demand content are managed from the same CMS and played back through the same player, with different delivery paths handled in the infrastructure layer.
Rights management in media software means encoding the commercial terms of a rights agreement into rules the platform enforces at the point of content access. We build rights data models that capture the territory, platform, window, and exclusivity parameters for each piece of content. The playback system checks the user's location, device, subscription tier, and the content's rights record before authorising play. When a rights window expires, access is removed automatically. Rights data is maintained in the CMS so your rights team can update terms without a code deployment.
The most useful AI features in media are content recommendation, automated subtitling and transcription, and content moderation. Content recommendation uses viewing behaviour: what users watch, how long, what they watch next. It surfaces relevant content rather than relying on recency or editorial curation alone. Automated subtitling and transcription uses speech recognition models to produce subtitle files and transcripts at a fraction of the manual cost, with a review step for accuracy. Content moderation uses classification models to flag user-generated content for human review rather than requiring a moderator to watch everything. We scope AI features around the specific manual task they replace, so the ROI case is clear before development starts.
Yes. We build multi-channel publishing workflows where a single CMS action distributes content to web, iOS, Android, and connected TV apps simultaneously, with channel-specific formatting and metadata. Manual channel-by-channel publishing is the operational inefficiency it replaces.
Streaming platform development
Live and VOD streaming, adaptive bitrate, DRM, subscription management
OTT platform development
Roku, Apple TV, Fire TV, Android TV apps with SVOD/AVOD/TVOD
Podcast platform development
Audio streaming, RSS feeds, DAI, listener analytics, creator tools
Audience engagement platform
Live polls, fan communities, loyalty, gamification, second-screen
Content monetisation platform
SVOD, AVOD, TVOD, paywalls, creator revenue sharing, unified reporting
Media content management system
Metadata, publishing workflows, rights tracking, multi-channel distribution
Tell us what content you deliver, how you monetise it, and where the manual work is. We'll tell you what we'd build.